My artistic practice centers around transforming everyday objects into anthropomorphic forms, where the material world splits and reconverges, entangling matter to flow, move, and propel forward. I cut, snip, paint, construct, integrate found objects, building materials, and manipulate steel into corporeal assemblages. This process responds to the embodied and disembodied experiences inscribed with societal expectations and norms. Through exploring an aesthetic of repulsion and attraction, my work holds the tension between fragility and strength, trauma and renewal, and tenderness and violence. It reflects how knowledge and understanding are intertwined with history, culture, and power.