A friend of mine once called me an evil dollmaker and I suppose they were not far off. Drawing from American suburbia, ideas of otherness and my own fickle memory, my work expands and reimagines the world of painting; it muddies its distinctions from soft sculpture, photography, and performance. Through both constructed and real bodies, I generate open-ended narratives that blur fiction and lived experience. I approach artmaking as a form of investigative play, using intuitive and tactile exploration of materials to interrogate my relationship to the world around me.